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Kaban

From Halbeeg, the open encyclopedia · Af-Soomaali

63 languages
ܥܘܕ arc
عود arz
Ud az
Уд be
Уд bg
Ud ca
Oud cy
Oud de
Oud en
Uud et
Oud eu
Ud fi
Oud fr
Ud gl
Úd hu
Ուտ hyw
Oud ia
Oud id
Oud it
Ûd ku
Ut lad
Уд mk
Oud ms
عود mzn
Oed nl
Oud nn
Oud no
Ud oc
Ud pl
Oud pt
Oud sco
Oud simple
Oud sv
Уд tg
Ut tr
Уд uk
Ud uz
Oud vi
烏德琴 zh-yue

The kaban is a stringed musical instrument with a large, deep soundbox and a short neck without frets. It is played with the fingers of the right hand or a small plectrum, while the left hand fingers stop the strings on the neck to produce different pitches. It is known in Arabic as cuud (عود), in Turkish as ut, and in English as oud.

Among Somalis, the term kaban refers to this stringed instrument, particularly as it was played in the popular music of the twentieth century. Musicians who play the kaban are called kabanle. The kaban was an important part of Somali musical ensembles, alongside the durbaan, biyaano, and wind instruments.

Construction

The kaban consists of a soundbox made from light wood shaped like a pear, with its top covered by a thin wooden panel and a sound hole or holes. The neck is short, with a tilted headstock—one of the instrument's most distinctive features. The strings are typically arranged in paired courses (pairs tuned in unison), with the number of courses varying by type.

UncertaintyThe exact number of strings, the length of the neck, and the dimensions vary by country and school of playing (Egypt, Iraq, Turkey, Syria). There is no single standardized specification.

History and spread

The kaban is among the long-established stringed instruments of the Middle East and North Africa. It is considered one of the foundational instruments of Arab traditional music, and is thought to be related to other instruments, such as the lute, that developed in Europe. Maritime trade, travel, and cultural exchange across the Indian Ocean brought the instrument to the coasts of East Africa, including Somalia.

Use in Somali music

From the mid-twentieth century through its closing decades, the kaban was an important instrument in Somali music, especially in compositions created for radio broadcasts and serialized narratives. Many musicians used the kaban to accompany the tonal qualities of Somali poetry and song. Today, the instrument remains in use by cultural groups and diaspora musicians, and is sometimes employed with electronic instruments and amplified sound.

NoteThe term kaban is sometimes used more broadly to refer to other stringed instruments, such as the guitar. The specific meaning thus depends on the context and period in which the word is used.
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